01. Mache dich, mein Geist, bereit, BWV 115 I. Coro. Mache dich, mein Geist, bereit
02. Mache dich, mein Geist, bereit, BWV 115 II. Aria. Ach schl?frige Seele, wie
03. Mache dich, mein Geist, bereit, BWV 115 III. Recitativo. Gott, so vor deine Seele wacht
04. Mache dich, mein Geist, bereit, BWV 115 IV. Aria. Bete aber auch dabei
05. Mache dich, mein Geist, bereit, BWV 115 V. Recitativo. Er sehnet sich nach unserm Schreien
06. Mache dich, mein Geist, bereit, BWV 115 IV. Choral. Drum so lasst uns immerdar
07. Cello Suite No. 6 in D Major, BWV 1012 I. Prelude
08. Cello Suite No. 6 in D Major, BWV 1012 II. Allemande
09. Cello Suite No. 6 in D Major, BWV 1012 III. Courante
10. Cello Suite No. 6 in D Major, BWV 1012 IV. Sarabande
11. Cello Suite No. 6 in D Major, BWV 1012 V. Gavotte I & Gavotte II
12. Cello Suite No. 6 in D Major, BWV 1012 VI. Gigue
13. Ich bin ein guter Hirt, BWV 85 I. Aria. Ich bin ein guter Hirt
14. Ich bin ein guter Hirt, BWV 85 II. Aria. Jesus ist ein guter Hirt
15. Ich bin ein guter Hirt, BWV 85 III. Coro. Der Herr ist mein getreuer Hirt
16. Ich bin ein guter Hirt, BWV 85 IV. Recitativo. Wenn die Mietlinge schlafen
17. Ich bin ein guter Hirt, BWV 85 V. Aria. Seht, was die Liebe tut
18. Ich bin ein guter Hirt, BWV 85 VI. Coro. Ist Gott mein Schutz und treuer Hir

Following the departure (of his own accord) of it’s founder Damien Guillon, Le Banquet Céleste has reinvented itself as a collective of musicians and singers, all committed to continuing to explore the Baroque repertoire with the stylistic rigour that has established the ensemble’s reputation.For this first recording by the “new” Banquet, Bach is in the spotlight, with Cantatas BWV 85 and 115 featuring violoncello piccolo obbligato: “Smaller in size, the violoncello piccolo has a truly special timbre that can be grave and passionate, but also wiry and sensitive. In the arias where it engages in concertante dialogue with the vocal soloist, it most often embodies the voice of tenderness and consolation, and the confident promise of the hereafter,” writes musicologist Corinne Schneider. The Sixth Suite for Cello, BWV 1012, completes the programme: “Radiant and joyful, it sounds like a deliverance, in perfect accord with the themes developed in these two cantatas,” she concludes.Céline Scheen, Alexander Chance, Thomas Hobbs and Benoît Arnould are the vocal soloists, and Julien Barre plays the piccolo cello.
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