01. Elisabetta, regina d’inghilterra_ Sinfonia
02. Act I Scene 1_ Più lieta, più bella
03. Act I Scene 1_ Nel giubilo comun, signor, tu solo parte non prendi in sì felice giorno_
04. Act I Scene 2_ Esulta, Elisa, omai
05. Act I Scene 2_ Quant’è grato all’alma mia
06. Act I Scene 2_ Grandi del regno, è questo
07. Act I Scene 3_ Vieni, oh prode, e qui tergi i sudori
08. Act I Scene 3_ Alta Regina
09. Act I Scene 4_ Incauta! che festi!
10. Act I Scenes 4-6_ Sconsigliata! – Tu, mio congiunto e amico – Andiam
11. Act I Scene 6_ Sento un’interna voce
12. Act I Scenes 8 & 9_ Che intesi! – Stolto!
13. Act I Scene 10_ Colmo di duol, Regina
14. Act I Scene 10_ Perché mai, destin crudele
15. Act I Scene 12_ Guglielmo, ascolta
16. Act I Scenes 13 & 14_ Che penso, desolata regina_ – Matilde!
17. Act I Scenes 14 & 15_ Se mi serbasti il soglio – Quegl’indegni
18. Act II Scenes 1 & 2_ Perché tremi, oh mio cor_ – La regina, Signor, la tua richiesta ricusa d’appagar
19. Act II Scenes 4 & 5_ Dov’è Matilde_ – T’inoltra
20. Act II Scene 5_ Pensa che sol per poco
21. Act II Scene 6_ Misero me!, La sposa!
22. Act II Scene 7_ Pago sarai, cor mio_
23. Act II Scene 10_ Qui soffermiamo il piè
24. Act II Scene 11_ Che intesi!
25. Act II Scene 11_ Deh! troncate i ceppi suoi
26. Act II Scene 12_ Della cieca fortuna un tristo esempio
27. Act II Scene 12_ Sposa amata, respira – Fallace fu il contento
28. Act II Scene 13_ Amico
29. Act II Scene 13_ Deh! scusa i trasporti
30. Act II Scene 14_ Tu, Regina!
31. Act II Scene 15_ Fellon, la pena avrai
32. Act II Scenes 15 & 16_ Bell’alme generose – Audaci!
33. Act II Scene 16_ Fuggi amor da questo seno

Rossini’s rarely performed Elisabetta regina d’Inghilterra was his first opera for the Teatro di San Carlo in Naples. With the composer showcasing and indeed recycling some of his best music, it was an enormous success and allowed him to become established as the leading opera composer in Italy. The story revolves around Queen Elizabeth I (Elisabetta), whose romantic attachments expose her to murderous intrigues, and ends with her renouncement of love itself. This fast-moving production under the baton of Antonino Fogliani was described as ‘a colourful, sparkling festival of music’ in Die Deutsche Bühne.
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