Diepenbrock was never trained professionally as a musician – he learned mainly from experience and read as many books as he could about music history and music theory. One of the fields in which he was especially interested was the theatre, particularly great classical tragedies. During the last ten years of his life Diepenbrock composed the stage works heard here, where he endeavoured to combine the music in various ways with the theatrical elements of dance and recitation.

01. Bamberger Symphoniker – Electra I. Andante agitato – Adagio
02. Bamberger Symphoniker – Electra II. Presto – Più lento – Andantino – Presto
03. Bamberger Symphoniker – Electra III. Lento – Sostenuto e agitato – Largamente
04. Bamberger Symphoniker – Electra IV. Allegro agitato – Maestoso
05. Bamberger Symphoniker – De Vogels
06. Bamberger Symphoniker – Marsyas Suite I. Prélude. Réveil au printemps de Marsyas
07. Bamberger Symphoniker – Marsyas Suite II. Entr’acte. Vagabondages à travers les forets
08. Bamberger Symphoniker – Marsyas Suite III. Marsyas et les nymphes
09. Bamberger Symphoniker – Marsyas Suite IV. Prélude du troisième acte. Nuit d’été
10. Bamberger Symphoniker – Marsyas Suite V. Final. Danse des nymphes et epilogue d’Apollon
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