Under the direction of Philip Cave, Magnificat embarks on a three-volume journey exploring the ingenuity of Orlandus Lassus. In this rich collection of Magnificats based on polyphonic models, Lassus – ‘The Alchemist’ – demonstrates an unsurpassed ability to reimagine existing material in the creation of his own works. This first volume of the series presents Lassus’s Magnificats based on madrigals, featuring models by Philippe Verdelot, Cipriano de Rore, and Alessandro Striggio among others. The second album will comprise Lassus’s canticles based on motets, and the third will conclude with those inspired by chansons. In celebrating Lassus as ‘The Alchemist’, Magnificat reveals the creative process and skill he employed in re-working the original music and illuminates a significant repertory that is underrepresented in contemporary liturgical or concert settings.

01 – Ultimi miei sospiri
02 – Magnificat secundi tono ‘Ultimi miei sospiri’, LV 1182
03 – Quanto in mille anni
04 – Magnificat secundi toni ‘Quanto in mille anni’, LV 889
05 – S’io credessi per morte
06 – Magnificat tertii toni ‘S’io credessi per morte’, LV 1152
07 – Alma real
08 – Magnificat octavi toni ‘Alma real’, LV 1179
09 – O s’io potessi donna
10 – Magnificat secundi toni ‘O s’io potessi donna’, LV 1151
11 – Vergine bella
12 – Magnificat primi toni ‘Vergine bella’, LV 1159
13 – Quando lieta sperai
14 – Magnificat quarti toni ‘Quando lieta sperai’, LV 896
15 – O che vezzosa aurora
16 – Magnificat secundi toni ‘O che vezzosa aurora’, LV 1183
17 – Erano i capei d’oro
18 – Magnificat septimi toni ‘Erano i capei d’oro’, LV 1175
19 – D’ogni gratia e d’amor
20 – Magnificat septimi toni ‘D’ogni gratia e d’amor’, LV 1188
21 – Ecco ch’io lasso il core
22 – Magnificat secundi toni ‘Ecco ch’io lasso il core’, LV 893
23 – Ancor che col partire
24 – Magnificat quarti toni ‘Ancor che col partire’, LV 557
25 – Da le belle contrade
26 – Magnificat sexti toni ‘Da le belle contrade’, LV 1171
27 – S’io esca vivo
28 – Magnificat septimi toni ‘S’io esca vivo’, LV 1189

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