01. Redemption, FWV 52 I. Introduction
02. Redemption, FWV 52 II. Ch?ur terrestre. Que le jour monte ou s’abaisse
03. Redemption, FWV 52 III. Ch?ur des anges. Nous venons du ciel
04. Redemption, FWV 52 IV. Ch?urs et air de l’Archange. Ou menent vos chemins – Les rois dont vous vantez la gloire
05. Redemption, FWV 52 V. Ch?ur general. Devant la loi nouvelle
06. Redemption, FWV 52 VI. Poeme Symphonique
07. Redemption, FWV 52 VII. Ch?ur des hommes. Ou sommes-nous
08. Redemption, FWV 52 VIII. Ch?ur des anges. Nous sommes au ciel
09. Redemption, FWV 52 IX. Air de l’Archange. Le ot se leve
10. Redemption, FWV 52 X. Ch?ur general. Seigneur, oublie l’erreur et la folie

César Franck’s Rédemption (1873) is a pivotal work. It is an “ode-symphony,” coming at the crossover point between oratorio, opera and symphonic poem – a vein brilliantly exploited by Franck in Psyché (1888) and Les Béatitudes (1891). Rédemption also marks a further progression: with this vast fresco César Franck became “le père Franck”, leading father figure in the new French compositional school, the composer of maturity, creator of Le Chasseur maudit (1883), the Variations symphoniques (1885) and Les Éolides (1885). Here we see the organist becoming a virtuoso in handling grand orchestral or vocal forces and taking his place amongst the major composers of the Symbolist period.
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