01. SRomance oubliée (arr. for Viola or Cello and Piano), S.132
02. SLa lugubre gondola (arr. for Viola or Cello and Piano), S.134
03. SDie Zelle in Nonnenwerth (arr. for Violin or Cello and Piano), S.382
04. SElégie No. 1 (arr. for Cello and Piano), S.130b
05. S6 Consolations, S.172 No. 1 in E major. Andante con moto  No. 4 in D-Flat Major. Quasi adagio
06. S6 Consolations, S.172 No. 2 in E major. Un poco più mosso
07. S6 Consolations, S.172 No. 3 in D flat major. Lento, placido
08. S6 Consolations, S.172 No. 5 in E major. Andantino
09. S6 Consolations, S.172 No. 6 in E major. Allegretto, sempre cantabile
10. SElegy No. 2 (arr. for Cello and Piano), S.131
11. SAve Maria (arr. for Cello and Piano), S.55812
12. S10 Harmonies poétiques et religieuses, S. 173 10. Cantique d’amour (arr. for Cello and Piano)
13. SSonata In G Minor For Cello & Piano, Op. 65 1. Allegro moderato
14. SSonata In G Minor For Cello & Piano, Op. 65 2. Scherzo. Allegro con brio
15. SSonata In G Minor For Cello & Piano, Op. 65 3. Largo
16. SSonata In G Minor For Cello & Piano, Op. 65 4. Finale. Allegro
17. SIntroduction & Polonaise Brillante in C, Op. 3 (arr. for Cello and Piano by A. Franchomme)
18. SNocturne No. 20 in C-Sharp Minor, Op. Posth. (arr. for Cello and Piano)

They were the greatest pianist-composers of their time, almost exact contemporaries, and friends: Franz Liszt and Frédéric Chopin. Having met soon after Chopin arrived in Paris in 1831, they made music together in public several times. They were a study in contrasts – Liszt at the height of his extroverted, virtuoso period, Chopin introverted, delicate, almost a salon pianist. The two men had one trait in common: they composed hardly any chamber music. On “Cantique d’amour,” cellist Sung-Won Yang is joined by his recital partner, Italian pianist Enrico Pace, for a program of arrangements and Chopin’s Cello Sonata.
声明：本站所有hires无损音乐均转载于互联网，并不代表本站立场！如若本站内容侵犯了原著者的合法权益，可联系我们进行处理！ 拒绝任何人以任何形式在本站发表与中华人民共和国法律相抵触的言论！