| 01. Concerto in D Major, BWV 972 I. — 02. Concerto in D Major, BWV 972 II. Larghetto 03. Concerto in D Major, BWV 972 III. Allegro 04. Concerto in D Minor, BWV 974 I. — 05. Concerto in D Minor, BWV 974 II. Adagio 06. Concerto in D Minor, BWV 974 III. Presto 07. Adagio in G Major, BWV 968 08. Prelude in C Minor, BWV 999 09. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 I. Prelude 10. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 II. Fugue 11. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 III. Allegro 12. Sonata in D Minor, BWV 964 I. Adagio 13. Sonata in D Minor, BWV 964 II. Fuga. Allegro 14. Sonata in D Minor, BWV 964 III. Andante 15. Sonata in D Minor, BWV 964 IV. Allegro 16. Italian Concerto, BWV 971 I. — 17. Italian Concerto, BWV 971 II. Andante 18. Italian Concerto, BWV 971 III. Presto For her debut solo album of music by J. S. Bach’s contemporary Gottlieb Muffat, Gramophone praised pianist and harpsichordist Alexandra Nepomnyashchaya as ‘an ideal advocate for the music’. Now, for her second solo recording for Linn, she turns to Johann Sebastian Bach in Transformations, revealing him as the supreme reinventor who continually refashioned existing material into striking new creations. The recital includes Bach’s brilliant reworkings of concertos by Vivaldi and Marcello, expanded with a colour and vitality well beyond the originals. The other works on the programme are extraordinary arrangements of Bach’s own music (Adagio in G major and Sonata in D minor), pieces initially written for a different instrument (Prelude, Fugue and Allegro in E flat major) and a concerto without orchestra (the ‘Italian Concerto’). |

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