01. Concerto in D Major, BWV 972 I. —
02. Concerto in D Major, BWV 972 II. Larghetto
03. Concerto in D Major, BWV 972 III. Allegro
04. Concerto in D Minor, BWV 974 I. —
05. Concerto in D Minor, BWV 974 II. Adagio
06. Concerto in D Minor, BWV 974 III. Presto
07. Adagio in G Major, BWV 968
08. Prelude in C Minor, BWV 999
09. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 I. Prelude
10. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 II. Fugue
11. Prelude, Fugue and Allegro in E-Flat Major, BWV 998 III. Allegro
12. Sonata in D Minor, BWV 964 I. Adagio
13. Sonata in D Minor, BWV 964 II. Fuga. Allegro
14. Sonata in D Minor, BWV 964 III. Andante
15. Sonata in D Minor, BWV 964 IV. Allegro
16. Italian Concerto, BWV 971 I. —
17. Italian Concerto, BWV 971 II. Andante
18. Italian Concerto, BWV 971 III. Presto

For her debut solo album of music by J. S. Bach’s contemporary Gottlieb Muffat, Gramophone praised pianist and harpsichordist Alexandra Nepomnyashchaya as ‘an ideal advocate for the music’. Now, for her second solo recording for Linn, she turns to Johann Sebastian Bach in Transformations, revealing him as the supreme reinventor who continually refashioned existing material into striking new creations. The recital includes Bach’s brilliant reworkings of concertos by Vivaldi and Marcello, expanded with a colour and vitality well beyond the originals. The other works on the programme are extraordinary arrangements of Bach’s own music (Adagio in G major and Sonata in D minor), pieces initially written for a different instrument (Prelude, Fugue and Allegro in E flat major) and a concerto without orchestra (the ‘Italian Concerto’).

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