01. Symphony No. 7 in E Minor Ia. Langsam. Adagio
02. Symphony No. 7 in E Minor Ib. Nicht schleppen
03. Symphony No. 7 in E Minor Ic. Allegro risoluto, ma non troppo
04. Symphony No. 7 in E Minor Id. A tempo. sempre l’istesso
05. Symphony No. 7 in E Minor Ie. Subito Allegro – Ziemlich hastig
06. Symphony No. 7 in E Minor If. Adagio. Tempo der Einleitung
07. Symphony No. 7 in E Minor Ig. Allegro come prima. Maestoso
08. Symphony No. 7 in E Minor IIa. Nachtmusik – Allegro moderato
09. Symphony No. 7 in E Minor IIb. Sempre l’istesso tempo. Nicht eilen, sehr gem?chlich
10. Symphony No. 7 in E Minor IIc. Tempo
11. Symphony No. 7 in E Minor IIIa. Scherzo Schattenhaft – Fliessend, aber nicht zu schnell
12. Symphony No. 7 in E Minor IIIb. Trio
13. Symphony No. 7 in E Minor IIIc. Wieder wie zu Anfang. nicht eilen
14. Symphony No. 7 in E Minor IVa. Nachtmusik II Andante amoroso
15. Symphony No. 7 in E Minor IVb. Figure 197
16. Symphony No. 7 in E Minor Va. Rondo-Finale Tempo I. Allegro ordinario
17. Symphony No. 7 in E Minor Vb. Gemessen! Nicht schnell! Tempo II. Allegro moderato ma energico
18. Symphony No. 7 in E Minor Vc. Tempo I. Halbe wie die Viertel des Tempo I
19. Symphony No. 7 in E Minor Vd. Sempre l’istesso Tempo

PAAVO JÄRVI & TONHALLE-ORCHESTER ZÜRICH CONTINUE THEIR MAHLER CYCLE
Paavo Järvi and the Tonhalle-Orchester Zürich’s Mahler project continues this Autumn with the release of Symphony No.1 on Alpha Classics. The album release is followed by three performances of Symphony No.2 (which will also be recordeded live) at the Tonhalle Zürich (12 – 14 November), and a tour to Vienna, Baden Baden, Köln and Paris (28 November – 2 December) featuring performances of both Symphonies Nos 1 & 2.

“For me, Mahler encompasses the whole of the history of music that went before him” says Paavo. “With our cycle we are gradually unfolding his work, expanding the portrait we gained from his Fifth Symphony by returning to the very beginning – to Symphony No. 1. This is young Mahler, still hopeful, believing in goodness of the world. We badly need this type of music right now.”

Germany’s Rondo Magazine was the first to review the new release, giving it five stars and commenting: “Everything begins with nothingness. And into this silence and emptiness, Paavo Järvi and his Tonhalle Orchestra Zurich now sow the seeds from which something great will grow and develop … With their recording of the Fifth, released at the beginning of the year, the musicians already underscored Zurich“s reputation as a great place for Mahler. With the First, they now impressively confirm this certainty.”
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