01 Kircher_ Modo Hypodorico
02 Dowland_ Lachrimae Antiquae
03 Marais_ La Rêveuse
04 Marais_ Rondeau le Bijou
05 Marais_ Les folies d’Espagne
06 Podbielski_ Praeludium in D Minor
07 Handel_ 12 Fantasias and 4 Pieces for Keyboard_ No. 16, Carillon
08 Bach_ Sonata No. 5 in G Major for 2 Keyboards, W.A 21_ I. Allegro
09 Bach_ Sonata No. 5 in G Major for 2 Keyboards, W.A 21_ II. Tempo di minuetto
10 Bach_ Harpsichord Concerto No. 4 in A Major, BWV 1055_ I. Allegro
11 Bach_ Harpsichord Concerto No. 4 in A Major, BWV 1055_ II. Larghetto
12 Bach_ Harpsichord Concerto No. 4 in A Major, BWV 1055_ III. Allegro ma non tanto

Sławomir Zubrzycki unveils Viola Organista: Monologues & Dialogues, produced by Nils Frahm for LEITER. The album showcases the viola organista, a bowed keyboard instrument imagined by Leonardo da Vinci but never realised in his lifetime. Zubrzycki built the first playable version in 2013 after years of research, creating an instrument whose sound sits somewhere between harpsichord and viola da gamba.

Recorded at Berlin’s Funkhaus, the repertoire spans the 17th and 18th centuries. Highlights include John Dowland’s ‘Lachrimae Antiquae’, Marin Marais’ ‘La Rêveuse’ and ‘Les Folies d’Espagne’, and works by Handel, Jan Podbielski, and Johann Christian Bach. The album closes with J.S. Bach’s Harpsichord Concerto No. 4 in A Major, performed with harpsichordist Lilianna Stawarz, whose long collaboration with Zubrzycki brings warmth and fluency. More than a historical reconstruction, this is a vivid portrait of an instrument rediscovered — and reimagined for modern ears.
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